Soundvexpowered by Mykey DigitalThe same original source, the same chain. A has Auto EQ off; B applies Auto EQ after Impact. All other stages are identical.
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Raw values. B−A includes all chain interactions. In matched mode, the plot adds the matching gain shown below.
| Hz | A · dBFS | B · dBFS | B−A · dB |
|---|---|---|---|
| 22 | -49.82 | -50.18 | -0.37 |
| 28 | — | — | — |
| 34 | -40.08 | -40.41 | -0.33 |
| 43 | -32.61 | -32.94 | -0.33 |
| 53 | -31.49 | -31.81 | -0.32 |
| 66 | -32.8 | -33.14 | -0.34 |
| 81 | -31.44 | -31.71 | -0.28 |
| 101 | -30.35 | -30.56 | -0.21 |
| 125 | -33.12 | -33.19 | -0.07 |
| 155 | -32.88 | -32.74 | 0.14 |
| 193 | -35.76 | -35.29 | 0.47 |
| 239 | -35.91 | -35.38 | 0.53 |
| 297 | -36.5 | -35.81 | 0.68 |
| 369 | -38.74 | -37.84 | 0.9 |
| 458 | -41.79 | -41.1 | 0.68 |
| 568 | -40.98 | -40.15 | 0.83 |
| 705 | -47.43 | -46.33 | 1.09 |
| 874 | -46.55 | -45.05 | 1.5 |
| 1085 | -52.34 | -50.61 | 1.73 |
| 1346 | -51.79 | -49.93 | 1.86 |
| 1671 | -58.28 | -54.62 | 3.66 |
| 2073 | -58.68 | -55.57 | 3.11 |
| 2573 | -63.15 | -60.35 | 2.8 |
| 3193 | -60.3 | -57.56 | 2.74 |
| 3962 | -57.51 | -54.89 | 2.62 |
| 4916 | -55.0 | -52.81 | 2.19 |
| 6101 | -51.94 | -50.46 | 1.48 |
| 7571 | -48.94 | -48.2 | 0.75 |
| 9395 | -46.38 | -46.18 | 0.2 |
| 11659 | -43.53 | -43.58 | -0.05 |
| 14468 | -41.47 | -41.62 | -0.15 |
| 17954 | -39.53 | -39.69 | -0.17 |
Average over the complete 16-second excerpt, 32 logarithmic bands. Gaps indicate bands without a resolved FFT bin. A static final-output plot, not the internal Auto EQ curve. Matched mode includes the constant matching gain.
Compare bass weight, chord body and percussion attack. A/B switching preserves audio position; a 20 ms crossfade reduces switching clicks. Both sources run on the same audio clock.
“Raw level” preserves rendered levels. “Matched loudness” uses a constant gain calculated from integrated loudness; it adds no compression.
Original instrumental generated procedurally for Soundvex, without external recordings or samples. This is an illustrative demonstration, not a track from a station catalogue.
44.1 kHz stereo, 16-bit PCM WAV. Seconds 20–36 of a 36-second programme, with a common 5 ms boundary fade. Adaptive-leveling profile, bass +1.2 dB, AGC off, Bass EQ off, 2 dB reserve.
| Measurement | A · OFF | B · POST |
|---|---|---|
| Raw LUFS | -20.9 LUFS | -20.8 LUFS |
| Raw true peak | -3.9 dBTP | -4.0 dBTP |
| Excerpt LRA | 0.9 LU | 1.1 LU |
| Matching gain | 0.0 dB | -0.1 dB |
R128/true peak measured with FFmpeg ebur128. LRA from a short excerpt does not characterize an entire programme. Spectrum uses 4096-sample Hann windows, hop 2048 and mean stereo power.
auto-eq-original-groove-v2 · v2
Engine: 02ffb90ea2ff1f869fded45f07c4d3a63d2c5c5771f65c8af6addc0d4af6e337
A SHA-256: 877b287e75c33a35a835e135782eafcc31481e9f390c69721dcea24ca4b5f202
B SHA-256: aa7bff7945249afaa84e37bd9caeb4c792c90f4d55fa67f5da92e0a952b1579b